Upcoming gigs

Upcoming Gigs

Click here for my Facebook page or follow me on Twitter @Henry_Raby


TESTT (Durham): April 12th

The New Adelphi (Hull): April 15th

Workshop Theatre (Leeds): April 17th

Hydra Bookshop (Bristol): April 18th

Derby Theatre: April 20th

Harrogate Theatre: April 24-25th

Ovalhouse (London): April 26-28th


London Book Launch at Ovalhouse, April 26th

York Book Launch at All Saints Church, April 29th

Small Fry DIY, Warrington, 2nd May

Spoken Weird, Halifax: 3rd May

Born Lippy, Newcastle 9th May

Shaken In Sheep Town, Skipton: 10th May

Find The Right Words, Leicester : 16th May

Queenie’s Coffee Nights, Huddersfield: 21st May

Gong Fu Poets, Coxhoe: 31st May

Verse Matters, Sheffield: 7th June

Slam Dunk, Hastings: 28th June

Word Club, Leeds: 29th June

Poetry Jam, Durham: 4th October

Tuesday, 13 September 2016

20.16 Blog #20: Can I just say...

Last week my band played a gig in Sheffield, which was riotous, sweaty and proved to me that underground DIY punk music isn’t dead, it just went folk-punk.

But something happened after our set which (conveniently) sets up something that’s been in my head for a few months now.

A young punk (I think a University student) came straight up to me to offer feedback on not only the set, but the make-up of the band.  This is just after we’d played our last song, as the applause from the welcoming audience died away, just as I was taking off my guitar, with all my body choked full of adrenalin, this guy started explaining to me how the band could work better.  I couldn’t focus on his, or what he was saying.  It barely registered.  I changed the conversation to DIY venues.  He felt that Wharf Chambers in Leeds was “too far down the rabbit hole”, by which he meant, to left-wing (I think).

The fact is, I have often felt that we as artists need to be quicker to find honesty in conversations.  Too many times have I seen a poet, actor or musician and felt they could have been better, if they changed a line, did a different poem, sorted out their introductions, slowed down, sped up, looked for the humour, used the mic.  Whatever.  Likewise I have learned for someone to point out the obvious in my work and sets.

This is a question of ‘quality’, a definition loosely set by a collective consciousness.  Problem is, how do we grade art?  The Clash’s London Calling is a high quality album to me, but probably not to a classical music fan.

So often, standards are set by a collective conscious, but that consciousness is dictated by people in power, reviewers, funders, programmers, professors.  The gatekeepers of culture.  And your gig-goer or theatre-attendee doesn’t always factor into this grand scheme.

So if it boils down to opinion, we should be ready to offer some thought on the art we have experienced.  That’s what this guy was doing, he just did it at the wrong time, too forward, too
So when is it the right time to offer constructive feedback?  When that person is in the bar afterwards, chuffed with their performance?  Later on, through the de-humanising social media which lacks the subtly and nuance necessary to offer feedback?

In my experience, this guy should have waited until a break between future bands, because actually his points were fair enough.  But I kinda felt accosted, I switched into Friendly mode rather than being able to properly acknowledge his feedback.

But if we’re ever going to improve what we share, we do need to share our thoughts afterwards.

No comments:

Post a Comment